Peacock

I have finally finished my peacock fire screen. He isn’t quite as I had planned, but then I didn’t think it through properly before I started.

The feathers are sewn to a backing piece of felt, because they tended to move sideways, and to swivel in their sockets. That piece is braced with dowelling and covered with another piece of felt, to keep it tidy.

His name is Pugin, and he has featured in the Chartered Institute of Editing and Proofreading’s blog post, Crafty Editors.

You wouldn’t believe how many people have asked me why I don’t call him Penelope. Because he is a peacock. Ah!

A group gardening project

Members of the Richmond and Leyburn branch of the Embroiderers’ Guild are working on a project together. They are selecting typical pictures of Harlow Carr gardens, known as the Wisley of the north, near Harrogate, dividing them into squares, and embroidering one each. The first three panels are on display in the library of the gardens until 30th June. If you can’t make it before then, it is worth keeping an eye open for the next exhibition, which will surely follow, as they are currently working on the fourth panel.

They have printed the picture onto a finely woven fabric, and used that as a base. It is always interesting to see the different techniques people use to interpret their subject. As the pictures chosen show large flower beds, there are plenty of opportunities to compare the result of fine machine stitches, hand embroidery, and applique. Each photo is displayed beneath the embroidery.

Any artist will tell you that in is important to look carefully at your subject and then simplify what you see to show the important elements. This is another thing that can be seen in these panels. I particularly like the buildings on the skyline on the one with the orange flowers. One square shows the top of a greenhouse, because it is the main feature of that square. The neighbouring embroider had the corner of the greenhouse roof, a feature so minor in that square that it has been simplified out.

Here are WinterSpring, and Summer.  Autumn is on the way.

Ways of portraying landscapes in textiles

It is the last day of the East Yorkshire Embroidery Society’s exhibition Hopes and Dreams in Stitch, which is at Beverley Minster from 10am to 4pm. Today a collection of pictures showing some of the ways landscapes can be interpreted:

The EYES Rainbow banner

Here is another group project from the East Yorkshire Embroidery Society’s exhibition Hopes and Dreams in Stitch, which is at Beverley Minster from 10am to 4pm every day until 10th May.

Participants were given a square of fabric, and asked to create a small panel in any technique. The results were then strung together into this rainbow panel. Get there quickly, it closes tomorrow:

Flowers at the EYES exhibition in Beverley

More from the East Yorkshire Embroidery Society’s 2019 exhibition Hopes and Dreams in Stitch, which is at Beverley Minster from 10am to 4pm every day until 10th May. Today a collection of pictures showing some of the ways landscapes can be interpreted:

Pot of gold

Here is part 3 of my series of posts from the East Yorkshire Embroidery Society’s 2019 exhibition, Hopes and Dreams in Stitch, which is at Beverley Minster from 10am to 4pm every day until 10th May.

Today’s pictures show the results of the chairman’s challenge, to produce a 3D item on the theme of My pot of gold.

Notice the tea cosy with a rainbow above it.

And the “used” paint brush balanced on the open tin:

The East Yorkshire Embroidery Society’s 2019 exhibition

Yesterday, I dropped in to see the East Yorkshire Embroidery Society’s (EYES) 2019 exhibition Hopes and Dreams in Stitch, which is at Beverley Minster from 10am to 4pm every day until 10th May.

They have all manner of things on display, and I’ll be sharing some over the next few days.

Do go if you get the chance. They would love to see you. Admission is free, and the Minster is always worth a visit anyway.

Some basic embroidery stitches

I’ve come upon this quick guide to basic embroidery stitches, which I thought would be worth sharing. As the author says, it is amazing how much you can achieve with a few basic stitches.

Although I am surprised they have missed out herringbone stitch, which is one of my favourites. And how do people manage without feather stitch and all its variations?

But I am getting carried away. We are talking basic stitches here.