This started when I saw a pattern in a magazine for a bold black and white quilt, with a spalsh of bright colour. After a lot of fabric browsing, I decided I liked the design, but I didn’t want to do it in plain colours. Then I found some William Morris prints that I liked. Half way through the project, I decided that:
- the result was a bit bland, and
- the blocks fell into clear groups, not all of which went together.
So I decided to split them into two groups, and make a smaller quilt with one group of blocks on each side.
So I’d got some fabric left over.
So I started to think about a scrappy sampler. I’ve got some other William Morris scraps that I’ve been hoarding for years, so it made sense. First of all, I made a series of blocks with a plain calico background, making sure the edges of the block were jagged, instead of having a solid band of colour round the edge.
Then I saw something online about Dresden butterflies. Now I’ve always liked the Dresden plate block, but the one I did for my sampler quilt 25 years ago put me off. Far too much faffing.
However, things have changed. Now you can cut the shape from strips with a rotary cutter, fold them in half and sew across the wide end, and you have a series of “self finished” segments for the block in no time at all.
My butterfly bodies took a bit of thought. There are various approaches online, but I wanted to keep it simple. I needed some slightly wider ones, to cover the raw edges that had ended up a little too far apart, because I didn’t measure before I sewed the wings onto the base fabric. And I liked the brown print for the bodies, but I didn’t have very much left.
But I managed to get a body for every butterfly.



Here is a nice, but short, video about traditional indigo processes. With some lovely photography. Just make sure you maximize it on your screen 
I’ve found a new game.
I love every part of this post about 
This is my final selection of pictures from the Festival of Quilts 2019 at the National Exhibition Centre, Birmingham. These are the ones that didn’t group together nicely with any of the others.
My very first experience of patchwork was with hexagons. I must have been about 6 or 7, and I made it with offcuts from my rag doll’s dresses. I still have the dresses, and Beth still watches over my desk in one of them.